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Weng Chun (Eternal Spring)

永春

A southern Chinese art often confused with wing chun; the names sound almost identical in Cantonese, the systems differ.

Quick Facts

Country of OriginChina
RegionAsia
Primary FocusStriking
Belt SystemNo grades

Character & Origin

StatusLiving, organized
LineageTraditional
Era of Origin20th century

Training

SparringLight contact
Role of WeaponsWeapons optional
Role of FormsForms at the core

Organisation & Competition

Grading SystemNo grades
Competition FormatNo competitions
Olympic StatusNot Olympic
Estimated PractitionersUnder 10k

What the style is built from

Editorial rating on a 0–3 scale, based on how much room each area gets in ordinary training.

Hand strikesCore
KicksMarginal
Throws & takedownsMarginal
Ground fightingNot used
Locks & holdsMarginal
WeaponsMarginal

About Weng Chun (Eternal Spring)

Weng chun, literally eternal spring, is a southern Chinese martial art that is easily confused with wing chun. The confusion has a linguistic cause: in Cantonese the two names sound almost the same and differ only in tone, and both schools trace their legendary origin to the same monk, Chi Sim, of the southern Shaolin temple. They are nonetheless two different systems, and masters of both traditions have agreed on that; technically weng chun is closer to hung gar than to wing chun. Its documented history begins only in the twentieth century. The key figure is Chu Chung-man, a fifth-generation practitioner born in Foshan, a friend of Yip Man, who moved to Hong Kong after 1953; there he met other masters, among them Tang Yik and Wai Yan, and their shared training place became the Dai Tak Lan poultry wholesaler. The older part of the family tree, the monk and the Shaolin temple, is not documented and this page presents it as tradition. The system rests on the principle of not opposing force but using it to break the opponent's structure. Seven basic principles, among them tai, lan, dim, kit, got, wun and lau, come out of work with the long pole; eighteen advanced principles of the bridging hands, arranged in nine pairs, follow on from them. The training tools include the wooden dummy, the long pole and the pole dummy.

Similar styles

Selected by overlap in the style profile, not by historical lineage.

Goju-ryuBak Mei Kung FuXingyiquanShorin-ryuShuri-teBaihequan (Fujian White Crane)